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Once you put in the passion and love for what you do, then the money will come in abundance, not the other way around.Īnd when we were doing that, those are the memorable moments I miss, because we were always around each other. And those are the years I miss, when we were on tour, making money, having fun, not putting the money before fun and passion. The game of making music and money was fun. It took a lot of dedication, a lot of communication and understanding between men. R: I guess the golden times with my crew Hit Squad was when we were on tour and building. What are some fond recollections of your time with them and the golden hip-hop era when you first broke through? SB: In that era you were an essential member of one of the most legendary crews in the history of hip-hop, the “Hit Squad” with EPMD, Keith Murray, and K-Solo. That’s what that award helped me with – showing people at the end that I stuck with my guts and my goals, and I followed my dreams, I won. And while they might not agree with it, if you follow your dream and your goal, you’ll show them at the end. All that cursing I’ve been doing, it finally paid it off!” It also showed my mom, and my family, that whatever you believe in, if you go for it, you can make it happen.
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I was like “Mom, look at this! I got an award. So by me getting that award, I was astounded. So, you know if they nominated you as an artist of the year, you were official. They were the go-to for the streets, for hip-hop, and so their recognition – anybody they put on their platform – that was definitely official by any hip-hop fan or artist. And so The Source was a hot magazine at the time, fresh with the culture. I’m about a great execution of anything that I do. That I was putting in the work and dedication because that’s what I’m about. What did it feel like to get that kind of validation from the culture at the very beginning? SB: Your debut album went Gold, and you were named 1992 Rap Artist of the Year by The Source magazine, which was at the time the undisputed bible of Hip-Hop. It was an honor and privilege to connect with one of the most beloved rappers in the history of hip-hop Redman is an artist, activist, and superstar who’s just a positive, down to Earth human being.Ĭheck out this conversation to learn about his history with Method Man, his involvement with Wu-Tang, stroll down hip-hop memory lane, and more. Now working in the cannabis industry with Chang Weisberg of Guerilla Union (Rock the Bells and Cypress Hill Smoke Out), Redman’s vigorous passion towards their joint venture is undeniable.
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His latest EP, the aptly-titled 3 Joints, showcases the Funk Doc’s unwavering love towards Mary Jane with his trademark humor, bravado, plus his always sharp lyrical bars. From his 1993 High Times cover to his starring role in the 2001 hit film “How High,” Redman fearlessly stands behind cannabis as one of its most vocal and popular ambassadors. In large part, the rapper’s iconic career signifies the impact of cannabis on popular culture. Throughout the last three decades, Redman has worked with some of the biggest musical names of all-time, ranging from Tupac Shakur to Christina Aguilera. The renowned emcee seemingly draws on a relentless desire to simply do good in the world, and uplift all those around him. Redman carries these values with him to this very day. He came of age when hip-hop culture was all about good vibes and self-expression. From day one, Reggie Noble has been a powerful early advocate of cannabis. Brick City during the golden era of hip-hop in the early 1990s. Redman rose to fame out of the streets of Newark, NJ A.K.A. Since the dawn of hip-hop culture in the late 1980s and early 1990s, the genre has been closely intertwined with the concept of “getting high.” Early rap collectives such as Cypress Hill and Wu-Tang glorifying cannabis starkly contrasted the impact of Ronald Reagan’s “Just Say No” era. Hip-hop and cannabis – undoubtedly the two most powerful movements to come out of the last four decades. Redman on the History of Cannabis in Hip-Hop Culture